The Ronettes discography | |
---|---|
Studio albums | 1 |
Compilation albums | 11 |
Singles | 18 |
Other albums | 8 |
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This article is a discography for American singing group The Ronettes. The Ronettes began recording with Colpix Records in 1961 and recorded eleven songs for Colpix. In March 1963, the group moved to Phil Spector's Philles Records, where they achieved their biggest success.
- 1Albums
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Albums[edit]
Studio albums[edit]
Year | Title | Peak chart position US |
---|---|---|
1964 | Presenting the Fabulous Ronettes featuring Veronica | 96 |
Compilation albums[edit]
Year Issued | Album title | Peak chart position US |
---|---|---|
1963 | Today's Hits (Philles) | - |
1963 | A Christmas Gift for You (Philles) | 12 |
1965 | The Ronettes featuring Veronica (Colpix Records) | - |
1975 | The Ronettes Sing Their Greatest Hits (Phil Spector International) | - |
1976 | Phil Spector's Wall of Sound: Rare Masters Vol. 1 (Phil Spector International) | - |
1976 | Phil Spector's Wall of Sound: Rare Masters Vol. 2 (Phil Spector International) | - |
1981 | The Ronettes Sing Their Greatest Hits Vol. 2 (Masters) | - |
1985 | The Ronettes: The Colpix Years 1961–1962 (Murray Hill) | - |
1990 | The Ronettes: The Early Years (Rhino) | - |
1992 | The Best of the Ronettes (ABKCO) | - |
1997 | The Ronettes: The Ultimate Collection (Marginal) | - |
2005 | Silhouettes (Collectables) | - |
2010 | Be My Baby: The Very Best of the Ronettes (Legacy) | - |
2017 | Everything You Wanted to Know About The Ronettes ...But Were Afraid to Ask (For Collectors Only) | - |
Released singles[edit]
Year | Titles (A-side, B-side) | Label & number | Chart positions | Album | ||
---|---|---|---|---|---|---|
US Hot 100 | Cashbox Top 100 | UK Singles Chart[1][2] | ||||
1961 | 'I Want a Boy' 'Sweet Sixteen' | Colpix 601 | – | – | – | The Ronettes (Featuring Veronica) |
1962 | 'I'm Gonna Quit While I'm Ahead' 'I'm on the Wagon' | Colpix 646 | – | – | – | |
1962 | 'I'm Gonna Quit While I'm Ahead' 'My Guiding Angel' | May 111 | – | – | – | |
1962 | 'Silhouettes' 'You Bet I Would' | May 114 | – | – | – | |
1962 | 'Good Girls' 'Memory' | May 138 | – | – | – | |
1963 | 'Be My Baby' 'Tedesco & Pitman' (Non-album track) | Philles 116 | 2 | 1[3] | 4 | ...Presenting The Fabulous Ronettes Featuring Veronica |
1963 | 'Baby, I Love You' 'Miss Joan & Mr Sam' (Non-album track) | Philles 118 | 24 | 24[4] | 11 | |
1964 | '(The Best Part of) Breakin' Up' 'Big Red' (Non-album track) | Philles 120 | 39 | 48[5] | 43 | |
1964 | 'Do I Love You?' 'Bebe & Susu' (Non-album track) | Philles 121 | 34 | 36[6] | 35 | |
1964 | 'Walking in the Rain' 'How Does it Feel?' | Philles 123 | 23 | 20[7] | – | |
1965 | 'Born to Be Together' 'Blues for Baby' | Philles 126 | 52 | 67[8] | – | Non-album tracks |
1965 | 'Is This What I Get for Loving You?' 'Oh, I Love You' | Philles 128 | 75 | 92[9] | – | |
1965 | 'He Did It' 'Recipe for Love' | Dimension 1046 | – | – | – | The Ronettes (Featuring Veronica) |
1966 | 'I Can Hear Music' 'When I Saw You' (from ...Presenting The Fabulous Ronettes) | Philles 133 | 100 | – | – | Non-album tracks |
1969 | 'You Came, You Saw, You Conquered!' 'Oh, I Love You' | A&M 1040 | 108 | 92[10] | – | |
1973 | 'Go Out and Get It' 'Lover Lover' | Buddah 384 | – | – | – | |
1974 | 'I Wish I Never Saw the Sunshine' 'I Wonder What He's Doing' | Buddah 408 | – | – | – | |
1976 | 'Paradise' 'When I Saw You' (from ...Presenting The Fabulous Ronettes) | Warner/Spector 409 | – | – | – | |
2018 | 'Sleigh Ride' | – | 26[11] | – | 58 |
Unreleased music[edit]
Songs Produced by Phil Spector[12]
The Ronettes recorded many songs for producer Phil Spector that were not released until after the group disbanded in 1967. Today, some of their originally unreleased songs are just as critically applauded as their biggest hits. Below is an accurate chart of the unreleased songs the Ronettes recorded for Philles Records that did not see a release. These songs were first issued on later compilation albums, mentioned respectively. Four of the songs below—'The Twist', 'Mashed Potato Time', 'Hot Pastrami' and 'The Wah-Watusi'—were released, and credited to, popular Philles contracted singing group The Crystals, on their 1963 Philles LP, The Crystals Sing The Greatest Hits.[12]
Song Title[12] | Date Recorded[13] | Album Issued On[12] | Notes[12] |
---|---|---|---|
'The Twist' | June 1963 | The Crystals Sing The Greatest Hits | Credited to The Crystals. |
'Mashed Potato Time' | June 1963 | The Crystals Sing The Greatest Hits | Credited to The Crystals. |
'Hot Pastrami' | June 1963 | The Crystals Sing The Greatest Hits | Credited to The Crystals. |
'The Wah-Watusi' | June 1963 | The Crystals Sing The Greatest Hits | Credited to The Crystals. Features Nedra Talley on lead vocals. |
'Keep On Dancing' | 1964 | Phil Spector Wall of Sound: Rare Masters, Vol 2. | Features Ronnie, Estelle, and Nedra singing lead in unison. |
'Girls Can Tell' | 1964 | Phil Spector Wall of Sound: Rare Masters, Vol 1. | Erroneously credited to The Crystals. A version sung by The Crystals, with Lala Brooks on lead vocals, does exist. |
'Paradise' | 1965 | Phil Spector Wall of Sound: Rare Masters, Vol 1. | Covered by the Shangri-Las as well as the Supremes. |
'Soldier Baby' | 1965 | Phil Spector Wall of Sound: Rare Masters, Vol 1. | Features Ronnie, Estelle, and Nedra singing lead in unison. |
'I'm a Woman in Love' | 1965 | Phil Spector Wall of Sound: Rare Masters, Vol 1. | - |
'Everything Under the Sun' | 1965 | Phil Spector Wall of Sound: Rare Masters, Vol 2. | Features Ronnie, Estelle, and Nedra singing lead in unison for most of the song, with Nedra and Estelle continuing the chorus while Ronnie gets solo lines. |
'I Wish I Never Saw the Sun Shine' | 1965 | Phil Spector Wall of Sound: Rare Masters, Vol 2. | Rerecorded by Ronnie Spector in 1974 for Buddha Records, and for her 1999 solo EP She Talks to Rainbows. |
'Here I Sit' | 1965 | Phil Spector Wall of Sound: Rare Masters, Vol 2. | Features male backing vocals. |
'Lovers' | 1965 | The Ronettes Sing Their Greatest Hits, Vol 2. | A Ronnie solo. |
'Padre' | Unknown | Everything You Wanted To Know About The Ronettes ...But Were Afraid To Ask | |
'Close Your Eyes' | Unknown | Everything You Wanted To Know About The Ronettes ...But Were Afraid To Ask | |
Someday (Baby) | Unknown | Everything You Wanted To Know About The Ronettes ...But Were Afraid To Ask |
Work with Jimi Hendrix[edit]
During the Summer of 1964, the Ronettes spent a lot of time hanging out at Odine's, an exclusive East Side club on Fifty-Ninth Street in Manhattan.[14] According to Ronnie, that is where the Ronettes were first introduced to Jimi Hendrix, who was an unknown guitarist there at the time. Ronnie used to get up and sing along with Hendrix as he played guitar.[14] After running into Hendrix again at a party in 1969, Estelle and Ronnie were invited into the studio to do backing vocals on Hendrix's 'Earth Blues' song. Their work on the backing vocals earned The Ronettes a credit on Hendrix's posthumously released LP Rainbow Bridge, released in October 1971.[15]
References[edit]
- ^'The Ronettes | full Official Chart history'. Official Charts Company. Retrieved December 29, 2018.
- ^Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 469. ISBN1-904994-10-5.
- ^'Cashbox Magazine 'Top 100''.
- ^'Cashbox Magazine 'Top 100''. Archived from the original on 2011-08-28.
- ^'Cashbox Magazine 'Top 100''.
- ^'Cashbox Magazine 'Top 100''.
- ^'Cashbox Magazine 'Top 100''.
- ^'Cashbox Magazine 'Top 100''. Archived from the original on 2009-11-11.
- ^'Cashbox Magazine 'Top 100''.
- ^'Cashbox Magazine 'Top 100''.
- ^'The Ronettes Sleigh Ride Chart History'. Billboard. Retrieved 2019-01-01.
- ^ abcdeSpector, Ronnie (2004). Be my baby : how I survived mascara, miniskirts, and madness, or my life as a fabulous Ronette. New York: New American Library. pp. 324–336. ISBN0-451-41153-6.
- ^Spector, Ronnie; Waldron, Vince (2004). Be My Baby: How I Survived Mascara, Miniskirts, and Madness, or My Life as a Fabulous Ronette. pp. 324–336. ISBN0-451-41153-6.
- ^ abSpector, Ronnie (2004). Be My Baby: How I Survived Mascara, Miniskirts, and Madness, or My Life as a Fabulous Ronette. New York: New American Library. pp. 99–100. ISBN0-451-41153-6.
- ^Ronnie Spector, p. 336.
Retrieved from 'https://en.wikipedia.org/w/index.php?title=The_Ronettes_discography&oldid=918820374'
Spector’s genius before, during and after Philles
After decades of uneven reissues – dribs and drabs in the U.S. and abroad – Phil Spector’s catalog is finally being cross-licensed for reissue. The first break came with the catalog’s owner, ABKCO, issuing the Back to Mono set in 1991; but the larger breakthrough has been the licensing to Universal and Sony/Legacy that’s resulted in the Phil Spector Collection and a set of artist compilations on the Crystals, Ronettes and Bob B. Soxx and the Blue Jeans issued earlier this year. That licensing is now paying additional dividends with the release of Phil Spector Presents the Philles Album Collection and this new 34-track Phil Spector collection. Note that this 2-CD set is a Phil Spector volume rather than one dedicated solely to his years with Philles.
The set opens with pre-Philles sides from the Teddy Bears (Spector’s first #1), Ray Peterson, Ben E. King, Curtis Lee, Gene Pitney and the Paris Sisters. The tour through his hits at Philles includes The Crystals, Bob B. Soxx and the Blue Jeans, Darlene Love, the Ronettes, Righteous Brothers, and Ike and Tina Turner. Outside of Philles is a cover of the Beatles’ “Hold Me Tight” that mixes ‘50s doo-wop singing with Spector’s evolving production style, and Spector’s brilliant original “Black Pearl,” by Sonny Charles and the Checkmates. The latter suggested a continuing run as a dominant auteur in the ‘70s, but it didn’t go that way. Legacy’s done a fine job of cross-licensing material from K-Tel, Universal, Warner, EMI and others to pull together a compelling picture of Spector’s hit singles.
Given the wide availability of nearly everything here, this isn’t going to satisfy Spector collectors, but it’s a concise tour through the highlights of his most productive years. Its look at the Philles catalog isn’t as thorough as the earlier multi-disc sets, but the inclusion of pre- and post-Philles sides, hits by the Righteous Brothers, Ike & Tina’s “River Deep, Mountain High” and Sonny Charles’ “Black Pearl,” paint a picture that tells the tale from Spector’s first hit to his last as a producer who’s name rose above those of his artists. This set fits nicely between the single disc Wall of Sound: The Very Best of Phil Spector and the two-disc import Phil Spector Collection, and will inform a new generation of listeners for whom the revolutionary producer’s infamy has eclipsed his fame. [©2011 hyperbolium dot com]